“New Building Technologies at the 1925 Exposition des Arts Décoratifs.” TAD: Technology | Architecture + Design 9, no. 2 (2025): 380–95.

>>> Download PDF


Two cutting-edge building technologies hid behind the varied facades of pavilions at the 1925 Exposition des arts décoratifs in Paris. The first was Solomite: lightweight panels made of straw or reeds compressed together by metal wire. The second was the Maison Isotherme system of lightweight metal, hollow-wall framing. Both building technologies received heaps of attention at the time of the exhibition. Yet, by decades later, neither had managed to gain a permanent footing in the modern construction industry; both faded into historical oblivion. Despite this outcome, their presence at the 1925 exhibition presaged an important shift in the relationship between modern architecture and modern building.









Home  /  Index  /  Next >


About / Contact / Home





Etien
Santiago





Book

A Barrage of Houses: World War I and Mass-Produced Housing for France. 2026.  



Articles                                                            

“New Building Technologies at the 1925 Exposition des Arts Décoratifs.” In TAD: Technology | Architecture + Design, 2025.


“Hector Guimard’s Visions of Eternal Peace.” In 113th Annual Meeting Proceedings, 2025.


“The U.S. Movement for Mass-Produced Concrete Housing, 1900 to 1924.” Construction History, 2024.        

                                                                “Huts, Houses, and the Industrial Militarization of France.” In States of Emergency, 2022.                                                  
                                                   
“Notre-Dame du Raincy and the Great War.” JSAH, 2019.        
             

“Bricolage de pointe : Constructions expérimentales dans un contexte étranger pendant la Grande Guerre.” In Construire, 2019.            



Other Writings                                       


“French Mass-Produced Housing in the Crucible of World War I.” On platformspace.net, 2022.

   
“The Rough Concrete Surfaces of Perret’s Notre-Dame du Raincy.” In Still Life, 2016.
 
 
“The Super-Urban House.” In The Building, 2016.


“Minimum Structure: Musmeci and the Semiotics of Statics.” In GSD Platform 4, 2011.






Mark